See Opportunities

 

When your writing isn’t working out, don’t panic. Set it aside and walk away for a short while. Put the kettle on or take the dog for a walk. It’s not always easy to step back, but even if it’s for a day or half a day it can really help. A moment of light reflection or distraction can work wonders.

When you feel ready to return, ask yourself to see the possibilities; find some alternatives. There will be a way out of that corner you have written yourself into. Somewhere in there will be an opportunity to tweak the story so that it flows again.

If not, be brave. Take the step to side-line the plot you currently have. Repurpose the prose and try a different direction that will still move the story along and take the characters where they need to go. Often these literary leaps of faith prove to be the defining moments in our stories.

Past Informs Future

 

Writers are often something else first, because many of us are never fortunate enough to become fully-fledged published authors right off the bat. We have been around a while, some of us dipping our toes into more than one profession before finding our writing feet. A plethora of metaphors aside, there was one element of my own past I had not figured into my writing, though I am now grateful for the knowledge.

 

I loved the art of learning Aromatherapy - blending oils and plant essences - much more than learning how to massage people. Like a wise-woman, I could mix potions for rheumatism or scalp disorders or simply create a hormone-balancing face cream. My passion for chemistry (which my 14-year-old self never thought I’d say out loud!) expanded from essential oils into herbology and wild plants or weeds.

Aromatherapy is still one of my main loves, because it speaks to my nature-loving side and my need for natural, organic alternatives to all the modern potions hurled at us today for cleaning our homes or our own bodies. This has provided me with some wonderful pieces in my writing, where characters are able to draw upon essences of nature to cure or persuade.

 

The real surprise, the one thing I hadn’t expected to use, was anatomy and physiology. I’d taken biology at secondary school, but this was more in-depth being as it was for massage use. I explored muscles in a way I hadn’t previously and learned more about bones and bodily systems than a GCSE had given me. It wasn’t a medical degree, but it was detailed enough to become useful when I was writing about Saxon warriors being injured in battles and skirmishes.

There are a multitude of roles a writer must play when creating their written worlds; many hats they must wear as they research and resource material and information on people, food, clothing, transport, topography and more. Anatomy and physiology is one thing I didn’t have to grab a book to read up on, as I had all I needed either still in my head or in work-folders from college. It was a hat I already possessed!

 

It is remarkable how things from your past can inform upon your future in ways you never imagined. And I never imagined I would use this former knowledge to fathom how a sword injury might infect and disable a warrior in early medieval times. Nor how someone might know where to strike their enemy with a sword in battle to kill or merely hinder them.

 

What parts of your past have informed on your future in surprising ways?

Embracing the New

 

Ring in the new. Ring out the old. As another year draws to a close, we are often talking about what a new year will bring and the elements of the old year we are pleased to leave behind. We begin to sift through our lives to uncover what worked, or did not work for us over the past year. It is a time of reflection and redirection.

This is also the main concept of rewriting and editing your novel. As you revisit your work, you should ask yourself what new things you can bring to your work – what can you allow in and what must be relegated to the reject pile? How can you make this draft of your story better than the last? What IS working and what is NOT working?

As in life, so with your writing always be open to new ideas and changes you can make. Consider amendments that will alleviate plot problems. When something isn’t working or you are at an impasse, ask yourself if there are any new themes you could embrace. Can you alter the fate of a character, or at least a part of their journey, to enable the story to flow better?

Never be afraid to allow new ideas to form and changes to release you from blocks or setbacks in your writing. Be brave and look for alternative solutions. Ring in the new if the old is no longer viable. See light where there had once been darkness.