Monday, May 20, 2019

Hygge: the new Mead Hall


Hall of Hygge!

I’ve been embracing Hygge, the Danish art of ‘being’ and ‘sharing’, and it got me thinking. This isn’t a new craze that’s never been tried before. This is something the Danish have been perfecting for hundreds of years. It’s something the human race has been practising for thousands of years. It’s simply a case of switching off from all the external distractions of life in our current world and curling up with those you love. It’s about downtime without artificial lights or modern technologies that interrupt us all the while. It’s time to switch off your smartphones, or in the case of our ancestors, leave the swords outside.
'If I can just thread this needle...'

Some may argue that television is the modern equivalent to the tales of Scops or Skalds in the Mead Halls, except instead of listening to oral stories of brave heroes we are eagerly watching people dance or bake their way to glory. Here in the Moxon household we’ve had candles and fairy lights on and the whole tribe has been curled up on a sofa surrounded by cushions and blankets. There’s been reading, board games and knitting. I’ve almost completed a knitted tunic that I began in the spring, hoping to wear it for winter. This is now taking shape and I may still have the weather to wear it in. It made me think of Medieval women combing raw wool as they sit by the fire.
Get the tea on!

Surprisingly, or not, all this Hyggelig behaviour spurred my writer’s brain into action. I’ve had plot ideas, promotional ideas and thoughts of exciting twists in future novels. We’ve planned holidays and daytrips or taken 40 winks, sent into slumber by the warmth of the dog beside us (not with the candles burning mind you!). The communal ‘downtime’ not only liberated us from modern society, but liberated our imaginations. It is easy to see how productive this socially engaging enclosure is and would have been to our ancestors in the Mead Halls. Campaigns could be formed and strategized; community disputes discussed and settled; plans passed for building and crop growing.
Time for adventure
Like a warrior whittling runes into a bone comb, dreaming of heroic ventures as he warms his toes by the hearth, so we have been busy making and plotting in our own 21st Century way. There is a saying that ‘the old ones are the best’ and I think the Danes know this very well. Hygge is an old tradition and is still the best way to live, tapping into our past as we move into the future. Here's to exciting adventures and some literary 'a-viking' across the oceans of the writer's page!


BE CANDLE SAFE – NEVER LEAVE A BURNING FLAME UNATTENDED


~  ~  ~

Elaine writes Historical Fiction as E S Moxon and is currently editing the second novel in the 'Wolf Spear Saga' series, writing the third instalment, as well as a set of Old English tales and several novellas. You can keep up to date with her publishing progress on her website.
Available as e-Book, Paperback & Hardback (AmazonBook Depository & more)
Blood, betrayal and brotherhood.
An ancient saga is weaving their destiny.
A treacherous rival threatens their fate.
A Seer's magic may be all that can save them.
WULFSUNA







Tuesday, March 12, 2019

REVIEW: The Path to Horn Cottage - Prudence S Thomas




This debut in the 'Cunning Folk Mystery' series, set in an alternate version of Lancashire in Medieval times, is an intriguing read and an excellent adventure thriller.

Friday, March 8, 2019

Plot Proppers


I wanted to lend some time and thought to those characters often-used and quickly forgotten within fiction. They are the all-important bit-players who swim in and out of scenes, often perhaps without having received much consideration at the time, but who later prove to have been pivotal. They are the ‘plot proppers’ – those minor roles that can be utilised so neatly to prop-up a scene, play a key role in progressing plot or support the main characters.

pieces of the whole
They are oft times unsung heroes or heroines the reader does not always recall in great detail. However, without them, our protagonists would not learn important information to progress through the written landscape. The antagonists would fail to learn details of the hero’s/heroine’s next move. So often we talk about our main characters. I wanted to dedicate some space to the plot-proppers and ask you to share some examples of your own.
 
the unwritten landscape
Two characters, in particular, spring to my mind as I write this. The first is named ‘Hig’ from my first Wolf Spear Saga ‘WULFSUNA’. He appears briefly at the start as a young Angle warrior who is a boy given a man’s task. We never see him again in this novel, but he may one day be resurrected to play a part in my forthcoming sequel, Wolf Spear Saga 2!


Another plot-propper from ‘WULFSUNA’ in Trunhild. He epitomises his entire tribe and is a symbol of all the differences between them and the Germanic Wolf Sons they reunite with. His whole existence during the novel serves as a lesson to my hero Wulfgar, which in turn shapes his character progression.


·         Do you have plot-proppers?


·         Who are they and how do they affect your storyline?


·         Do you feel plot-proppers are necessary?


~  ~  ~

Blood, betrayal and brotherhood.
An ancient saga is weaving their destiny.
A treacherous rival threatens their fate.
A Seer's magic may be all that can save them.

WULFSUNA








Saturday, January 26, 2019

Existing Offline


The Guilt Machine

It’s been a long time coming, but I’ve finally found the bravery within myself to admit that life is not all about technology. In fact, as a writer of history (albeit fiction) I should have seen the light sooner. We all existed before it was here, and we will all exist after it has died and gone the way of the Dodo. There will remain, however, those who will declare in voices rife with panic, “How can you exist without it?”. How can I exist offline? I’ll tell you…

Because I’ve done it.

 ~ ~ ~

Monday, June 11, 2018

Author Interview: Louise Ann Knight

Today's author interview is with debut fantasy author, Louise Ann Knight:


Louise lives in England and loves to read, garden and wander wild places. She writes fantasy, modern and children’s fiction. She is a freelance administration and event volunteer in her local community. After working in business administration, she trained as a meditation teacher. She is currently writing the next novel and producing a children's book for release.


'Sky Drum' is available from Amazon


"Peace. Chaos. Potential. Cosmos. It will take them all to restore the sky drum. Journeys and friendships collide, in this elemental tale of old promises and new hope. Sky Drum is the first in the series about two planets, two suns and the people that unite them."
You can find out more from Louise's website



~ ~ ~
  1. What was the initial inspiration for your current book/series?

A thunderstorm several years ago reminded me of recurring childhood dreams. I’ve always been fascinated in nature and the cosmos. I began thinking about people interacting and working with them directly. Nature provided the inspiration and the dreams a landscape. I began writing characters that connected them.

  1. What aspect of your genre is the most, a) satisfying and b) annoying?

I love creating names – for people, places and things. I enjoy writing about a race of people that have lived through differences and similarities in history (global equality being a difference, plant medicine being a similarity). Continuity is annoying though necessary. Sky Drum required a lot of threads to weave a story through multiple characters and across two worlds. Now that is done, going forward is simpler.

  1. Which of your characters is your personal favourite and why?

I enjoy writing all the characters, in different ways. Though the protagonists on each world are my favourites, because they go through the most change in the story. Ora is seeking a lost part of herself. She is willing to dismantle what she believes and thinks, to challenge all she knows. So that she can remember ways of being, that can help others. Illik gives himself in service to a purpose he cannot fully comprehend. He is prepared to be the person that is needed, even though he doubts himself. His trust in the land that shaped him and his love for others, gives him courage in the face of the unknown. And I think everyone can identify with those things, at one time or another.

  1. Do you love or loathe research? Do you plan it or look it up as you write?

I love research! I do some initially and inspiration is bound to come from the non-fiction reading I enjoy. Some research takes place as I write. For the fantasy series, as one example, I looked at the food and housing of tribes around the world and throughout history. I then created flora and fauna within the landscape that would enable people on the otherworld to create homes, depending on what climate the settles were based in.

  1. If you were to write in another genre, which would it be and why?

I like modern fiction because it is so broad and children’s fiction, because I love to nurture imagination.

  1. Describe your ideal writing paradise.

The seasons encourage me to experience writing in different ways. I love writing at a wooden table or in a chair, near a large window. A view of nature. Hills, meadows, beach or barrow. The light, the air, the wind through trees. Or sat on a log or blanket, in amongst it all. Candlelight on dark evenings, a blanket. I write onto a computer though first I draft on paper. I love the tactile experience of ink flowing onto a page. I re-use paper so there's a stack of leftover notebooks people passed me and sheets of printed paper. A jar of pens and pencils. Pukka teas or Lavazza coffee on the hob. Bliss!


~ ~ ~

Monday, May 14, 2018

Last Rites and Burial


When writing in any era, the end of a life can take on various meanings, depending on the beliefs of the deceased individual. There may be an exotic afterlife to consider or particular funerary rites to adhere to. Tossing history into the mix brings with it layers of archaic ritual, older cultural boundaries and long-extinct practices. Therefore, this can be a complicated yet fascinating aspect of writing historical fiction.
West Kennet Long Barrow
photo: E Moxon
In my ‘Wolf Spear Saga’ series I must consider many factors in relation to the death of my characters. For my Germanic characters, they descend from a warrior line. Kings and tribal leaders would have received the ultimate in ornate burials with plenty of grave goods. If he is an experienced horseman, he may even be buried with his ‘noble steed’. However, in times of danger when there is little time to linger for fear of return attack, they might resort to a funeral pyre. This may be inevitable after battle if they have several dead warriors and limited time. Cremation was for centuries an acceptable form of funerary rite, even when some turned to Christianity. Grave goods have been found in Christian burials, despite not being a religion that encourages the placing of sacred objects with the body or cremation urn.
photo: visualhunt.com
Religious beliefs come and go, evolving and overlapping throughout history. Forms of burial container exist in hundreds of designs that have beauty or function to carry the dead into whatever future they perceived lay before them. Some expected to be collected by fearless shield maidens who would deliver them to the feasting hall of a one-eyed war-god, in order to battle into eternity. Others would expect to meet other deceased relatives in a summer meadow, able to lead a fruitful, playful existence with their array of grave goods.
Snettisham Great Torc
photo: visualhunt.com
Deaths of religious figures, such as priests and priestesses also vary depending on cultural and religious differences. Evidence has been found of herbs in Coptic jars and headdresses or pillows made from the leaves of plants considered to have magical powers. Essences in bottles and flower garlands worn as funerary adornments can hint at the importance of incense or plant oils accompanying those who possessed the ability to see the future or read the messages from scented fires. Embalming is a particular ritual that was perfected by the Egyptians, though is not restricted to their ancestral history alone.
Stonehenge
photo: E Moxon
Finally, then there are the cultural rituals replete among warrior tribes and the elite among ancient peoples. The Welsh and Irish sagas abound with the ‘rites of passage of kings’, with several tales of fathers being brutally murdered by sons. This has a multitude of connotations, from disgruntled sons eager to remove fathers from thrones to the right of every warrior to die a noble death. To die ungracefully in one’s own bed would be a disgrace to many a brave king, but were a son to ‘send’ his father to a noble death via the sword, then the king’s reputation and warrior-status would remain intact. This act, a ‘rite of passage’ could send the king into his chosen afterlife.
Oseberg Ship Burial
photo: visalhunt.com
~ ~ ~
Do you consider the end of your characters' lives as much as their creation?
How much detail and thought do you employ when creating characters?
Has a character's death affected you when writing/reading it?
                                                                               


Saturday, May 5, 2018

Workshop Cafe


Today I ran a 'Writing Workshop' at a local cake café in my neighbourhood. It was a beautiful blend of creative camaraderie and idea sharing, with cake!

A gaggle of writers
It all began one day while talking to the owners and enjoying their baked wonders. Kiss Me Cupcakes are a most welcome addition to our local community, not least because of their gorgeous baked delights. They are enthusiastic about bringing people together in their delightful wood-panelled café for a variety of events, sharing creative endeavours and eating cake. Did I mention there is cake?

Writers' Fuel
While I run a bi-monthly writing group at my local community centre, I thought it would be fun to hold a workshop, especially for those who find it difficult to begin a project. It can take time and immense effort for people to overcome the initial hurdle of putting those first few words on a page. Using some fun activities and simple handouts my little gaggle of writers went home today with 50-100 words of a story, a basic plot arc and some idea of direction.

Heads down for the '50 words' round!
We decided we loved it so much, we'll be doing it again soon. A big thank you not only to the café, but also the attendees who were inspiring and enthusiastic! Thank you especially for the marvellous feedback.

Me in my Author's Nook