When I approached Birmingham-based film company Lightweaver
Productions with a treatment for a film noir, little did I know how it would
feel to see the results on-screen. That moment, however, would be a while
coming. First of all, I worked with Lightweaver Productions to produce a
script. We had to ensure dialogue felt natural and memorable for the actors,
delivering information that viewers needed to know. It was also necessary to
have actor and camera directions that were both effective and achievable in the
lapse of film available, which could fit within the budget constraints. Eventually,
‘Deception’ was born; a Grime-Noir thriller in which characters, and hopefully
viewers, would be deceived by the turn of events.
As Executive Producer, I had the chance to be involved in
various aspects of the production process and, when filming began, I was
fortunate enough to spend a day on-set meeting cast and crew. I found it
fascinating to see scenes I had written taking shape before me as camera angles
and spoken word. I received humbling praise from cast, who were excited by the
quality of the dialogue and the intriguing twists of the story. The opportunity
allowed me to see how word choice can play a large part in the successful delivery
of storyline. This can apply when writing for film or a novel, though is more
apparent when you hear the words aloud, which is why reading your writing out
loud is such a benefit in the drafting stages.
After filming ended, the next stage was post-production. The
filmed footage was taken away to be edited together. Once completed, together
with special effects and re-recorded dialogue, ‘Deception’ began a tour of
Short Film Festivals. It received acclaim for story, music, performance, cinematography
and art direction. All of this amplifies the fact that, although a script may
begin with words penned by a writer, the journey to finished film involves a
great deal of work by many talented individuals. Writing can be, for the
majority of your time, a solo venture usually locked away with a notepad or
computer as you pour words onto a page. Writing for film illuminated my writing
microcosm, expanding my awareness of creational input by working alongside
others to bring a plot to screen. In many ways, this is similar to the route to
publication with a novel. The writer pens the original story, but that then passes
under the careful eyes of Editors, Beta readers, Literary Agents and Publishers
before becoming a bound, physical book on a shelf.
‘Deception’ has since been rated PG (with mild violence) by
the British Board of Film Classification and premiered online via YouTube. Since
its release ‘Deception’ has received very positive feedback and it is thrilling
to know so many people are enjoying it. All any writer could ask for is that
people like their work, whether readers or viewers, either in book form, on
stage or on screen. If you would like to see ‘Deception’ you can follow the
link below.
Some other links you may find useful:-
Congratulations on the film, Elaine! What a great achievement. I will watch it soon and then post back here some comments. :-)
ReplyDeleteThanks Matthew :-) It was a great experience. I look forward to hearing your thoughts on 'Deception'.
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