Pages Bound in Time

I often talk about the importance of research when writing, as well as my enjoyment of it. It is a question that appears frequently at talks and in author interviews. I therefore decided it was time to blog about it, particularly as I have recently acquired a piece of history – an old edition of the 'History of Britain'. As you will tell from the numerous photographs below, it contains integral maps and I am somewhat excited by this new addition to my personal library!

History of England, G. M. Trevelyan

Map: Celtic and Roman Britain

Map: England, Scotland & Ireland at Time of Viking Invasions

 The book itself is a slice of history, its pages bound in time to the spine of thought at the year of imprint. Archaeology is constantly changing and re-educating how we look at the past and so to have such a book, is akin to owning a time capsule. It is not merely the knowledge of what was known historically at the time of the book’s printing that is enlightening, but moreover how society of the time viewed the past. How this book presents its historical evidence can tell us much about academic thoughts of the time. I find this as equally fascinating as the history reported in the book.

After all, throughout history events and the recording of them have relied heavily upon the viewpoint of one or more individuals (often on the winning side of a conflict). This is why extensive research is necessary when approaching historical fiction. As we all know, there is always more than one side to any disagreement. I love to weigh my historical facts, using a wide spread of reading as the scales. My contemplation of the presented so-called ‘evidence’ becomes the weights that decide when the balance is right.

As I considered the breadth of my reading for research purposes, I recalled conversations with other authors and countless ‘shelfie’ photos of writers’ well-stocked bookcases. I emptied my own bookcase of all the books I have ever used for research (and continue to use) and I was shocked. I remember saying once that we are not only writers; we must also be archaeologists, biologists, horticulturalists, chemists, historians, geologists, butchers, bakers and candlestick-makers! The list is endless. Below is a small portion of the books I found.

I'm going to need a bigger bookcase!

 I have amassed quite a selection covering a broad variety of topics, though I know there are gaps I shall fill in due course. It highlights for me the extent to which writers reach to attain accuracy and depth in their novels. For instance, before I begin a scene I check in which season it is set and note what foliage would be around for the time of year and also the period in history. Not all the plants we see today were around in the 5^th Century. My characters are next. I must ensure they are appropriately clothed for the season and period, but also within their particular role in society. For my current work in progress I am studying linguistics (Welsh, Cornish and Old Norse) and equine history (horse behaviour, breeding and tack). I could read reams on these subjects over days and weeks, making copious notes, and it could all be for the sake of one scene.

Eventually, having absorbed the research, I have to write my story. Once more I must weigh prose against historical fact, finding the perfect balance. I redraft and edit, mixing and baking until I feel it is right for publication. That is when I hope all my reading and writing has created pages bound in time; a story that captures imaginations in the same way the idea first caught me.

How much historical fact do you like to read in your historical fiction?

What aspects of historical fiction are important to you in terms of learning about history?

~ ~ ~

Blood, betrayal and brotherhood.

An ancient saga is weaving their destiny.

A treacherous rival threatens their fate.

A Seer's magic may be all that can save them.

WULFSUNA

SilverWood Books

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Wolf Spear Saga: 2 - coming 2016

Writing Historical Dialogue

At a recent library book club engagement I chose to openly explore the subject of writing dialogue in historical novels. As you can imagine, this is an area of the writing process fraught with difficulties posed by which period of history you have chosen and the availability (or lack of) detail about language during that age. My audience found it fascinating, evident from their own eager input during my talk, which became more of a group discussion. (I love it when that happens, don’t you?) I decided, therefore, to expand on it and share it here.

I have found historical dialogue to be a fine balance between staying true to a period and not alienating readers. Whilst there are those whose excitement mounts at every historical term used for armour, weaponry, clothing or day-to-day utensils, not everyone is after a language lesson. The majority of readers are in search of intriguing story and larger-than-life characters. One of the ways in which we authors can move the story forward and enhance the image of our characters is through the exchange of speech. We can immediately gain a sense of character when they open their mouth.